In Soft Drive we are looking at ways of reading and interpreting our relationship with place. We've looked at pictorial maps, artefacts and images, pyschogeographical exploration and the historical and folkloric accounts of incidents and interactions between people and place.The photograph at the top of the page is by Dennis Metcalfe, recorder of quiet corners and unconsidered spaces.
Alex is looking at land and community as source and repository for story, in order to explore the idea that a regions stories may constitute a means of transmitting and propagating an essence of locality through the creation of Egregore, meaning Wakefull, or Watcher - a being or energy complex whose existence is prompted by the repeated telling and tracing over of a story, a legend or an accepted account or series of accounts.
Egregore can be seen as an embodiment of consensus on place, particularly on unadopted junctions and crossing points, common land and unmarked but accepted meeting places.
If you have problems with the idea of egregore as a being or a god, try 'object'. An object can be said to exist if it causes an effect in another. Or look to recent ontology, where reality is viewed as non-hierarchical and irreducible, and where everything which exists does so on an equal footing and doesn't need a mediator through which to relate.
Here are Alex's notes and more here on the nature of Egregore.
https://crypticchroniclespodcast.com/entity-of-the-week-the-egregore/
Genius Loci..the protective spirits of place.
“People
ask where is Nessy, no one asks how is Nessy”
Egregore
from the Greek egregoros, means wakeful or watcher.
The
word traces its origin to the animistic believes of Greece & Rome
where every aspect of life, personal, family, community were ruled
over by the little gods.
This
concept worked its way into the western occult traditions lasting
long after the end of pagan Rome.
Undoubtedly
the meaning has developed over time.
By
means of a explanation, I will borrow a 20th century
description of the formation of egregore, from Martinist scholar
Mouni Sadhu.
“ imagine
that an intelligent & well disposed man, who is able to
concentrate, is thinking about a good idea, giving it a certain form.
He
may find others, who have the same or similar ideas, & a circle
of men may come into being, who are all thinking along the same lines
but in a different form. It is as if every one of them is repeating
the drawing of a plan, placing the pencil again & again on the
same contours.”
From his book Tarot
It
is this repeated tracing that was thought to form the little god or
egregore.
From
this definition of how egregores are formed we can see that the
world should be full of egregores, though most of them quite trivial
creations, linked say to the effects of a advertising campaign or
fad, that may have garnered the attention of thousands.
Some
however will be much grander things, the personifications of nations
or religions with millions at least casually aware of there presence.
I
would like to contribute the idea that stories are
functionally memes
for propagating egregors.
In telling and re-telling a story we “placing the pencil again & again on the
same contours.”
We
live in a landscape full of stories: that time there was a fight in
the neighbours garden, the witch that's scared the kids down the
canal, The house Wordsworth lived in once, the ghostly hitcher by the
roadside, feeding the swans, the treasure in the lake.
Its
been called folk memory.
Some
of these stories will not reach further than a family or street, some
of them will have national reach or have broken free there moorings &
become part of the global heritage.
If
we were to consider that each story functions as an egregore
to
one degree or another, then this is world ensouled by storytelling,
en-canted, wrapped in words.
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